In contemporary collectible design, tactility has become the new luxury. No longer defined by gloss or perfection, high-end interiors now embrace the quiet irregularities that speak of time, touch, and craftsmanship. Across international galleries — from Sarah Myerscough Gallery in London to Nilufar Gallery in Milan — a new material sensitivity is taking shape, where texture becomes emotion and imperfection becomes beauty.
Within this global dialogue, PletoStudio explores the sensuality of material through Pleto Biocomposite™, our signature blend of clay, hemp fibers, cellulose, wood shavings, and eco-friendly glue. Each piece is sculpted by hand, layer by layer, allowing the surface to evolve like living matter — never identical, always expressive.
Unlike industrial smoothness, the surface of Pleto Biocomposite™ carries a human rhythm — traces of hands, tools, and natural drying. It reflects light softly, revealing depth through shadow and texture. This is not decoration; it is honesty. It invites you to slow down, to feel, to reconnect with the physical presence of objects that inhabit our spaces.
In this way, PletoStudio stands within the same aesthetic conversation as the curators and artists shaping the tactile renaissance of modern design — those seen in Galerie Philia, Functional Art Gallery, and Sarah Myerscough Gallery.
The future of design, we believe, belongs to materials that tell stories — not through logos or trends, but through touch. And Pleto Biocomposite™ is our way of writing that story in the language of earth and time.
